The krafft couple as filmmakers 赫爾佐格的剪輯讓人在贊嘆自然壯美瑰麗之外更有一種敬畏。也很難不想到《灰熊人》,覺得赫爾佐格也迷戀死亡之前拍攝下的影像以及其中蘊含的宿命之感。最后的點題也好“because of this unity and this togetherness, they were able to descend into the inferno and wrestle the image from the very claws of the devil”.