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非常美麗。末世遺跡上，被廢棄被禁止的自然是這樣原始又狡猾地包圍了人。在八卦的邊角料里了解了塔可夫斯基受挫的雄心和主創(chuàng)們?yōu)榕臄z此作付出的巨大代價(jià)。像另一部自然主義的《索拉里斯星》，但緩慢的，對(duì)精神的雕琢（sculpting the spirit）更細(xì)致，更懸浮，更破碎。mubi上最有趣的評(píng)論是：“Dehumanized professors, wretched writers, hopeless romantics, all of us are searching for truth as the end of the world draws near. But even Tarkovsky can't help but feel like an impostor in the face of endless beauty and mystery.”